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OMGyesOMGyes is a web sex education platform that strives to dispel misconceptions about female pleasure. After paying a one-time fee, which you could access dozens of interactive tutorials designed to assist women in achieving climax. The web page showcases real women, not actors, telling their stories on camera and explaining arousal concepts in trustworthy language. Furthermore, the videos are interactive - which you could act out the options using cutting-edge 'touchable video' know-how. Season one focuses solely on clitoral stimulation (four times more women orgasm with it than with penetrative sex), season two explores internal pleasure and season three explores sex toys. Each season, you'll discover new ways to increase your pleasure and gain additional tools in your sex toolbox. All techniques are explained in clear, sincere language with analysis findings and diagrams to permit you to grasp the fundamentals. Each method features its own brief interview with a lady who uses it, outlining what works and how to use it. These discussions are supplemented by text causes and analysis findings as well as diagrams and live demonstrations of the technique in action. This program is elementary and intuitive, making it appropriate for all and sundry from the novice to superior sex fanatic. Couples browsing to increase their sexual satisfaction together will especially find this application really useful.
12.04.2023
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    • , have opened their doors to the indies, and the nation's Ministry of Economy is promoting these agencies to interact. These businesses also are increasingly stocking NEVA-accredited videos, which have become more accepted among Japanese patrons. The early years of the Japanese AV market were marked by struggler actresses and ladies from soaplands. The first conventional AV actress to emerge was Kate Asabuki, who gave the impression on titles for AVs and theatrical films. In 1982, the Crystal-Eizou studio was established, and a director named Toru Muranishi was hired to expand a quasi-documentary attitude to filming AVs. The book also looks at problems with recruitment, as Wong and Yau analyze data from five88 survey forms accomplished by AV girls in Japan.