Her account is a timely and useful gateway into the postwar period of Japan, as well as the contemporary censorship issues in the country. Self-censorship is an increasingly more common problem for artists and newshounds in Japan, and it threatens democracy. In Hungary, as an example, journalists are afraid to ask arguable questions about the government as a result of they would lose access to interviews and press meetings. Journalist Janos Karpati, a former EU correspondent, asked a question about the death penalty and was told that his question was not appropriate by Prime Minister Viktor Orban, and he was threatened with the loss of his job. While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the humanities rekindled the talk. A recent decision by the Aichi Triennale to cancel an endorsement of a collection by South Korean artists depicting Japanese infantrymen in Nanjing has reignited the controversy. While it's critical to give protection to the freedom of expression, it can also embolden extremist aspects. In Japan, most modern art museums are publicly owned, and the MAM has been the concern of protests. However, regardless of its debatable place in the sphere, the museum is privately owned and backed by the helpful Mori family, that's a pillar of the Japanese tradition. There are many reasons why artists may self-censor their work. Some are symbolic, designed to promote social unity and avoid insults to shared values.
03.01.2023
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