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Flamme Rende XXX

Focusing on literary works, films, and manga, Cather examines the roles of artists, legal professionals, and concerned residents in the censorship procedure. Her account is a timely and useful gateway into the postwar period of Japan, as well as the contemporary censorship issues in the country. Self-censorship is an more and more common challenge for artists and journalists in Japan, and it threatens democracy. In Hungary, as an example, reporters are afraid to ask controversial questions in regards to the government because they might lose access to interviews and press conferences. Journalist Janos Karpati, a former EU correspondent, asked a question concerning the death penalty and was told that his query was not appropriate by Prime Minister Viktor Orban, and he was threatened with the lack of his job. While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the arts rekindled the talk. A recent choice by the Aichi Triennale to cancel an endorsement of a suite by South Korean artists depicting Japanese squaddies in Nanjing has reignited the talk. While it's crucial to protect the liberty of expression, it also can embolden extremist facets. In Japan, most fresh art museums are publicly owned, and the MAM has been the area of protests. However, despite its debatable place in the sphere, the museum is privately owned and backed by the strong Mori family, which is a pillar of the Japanese culture. There are many reasons why artists may self-censor their work.
01.01.2023