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For example, Rana Ayyub was the subject of a fake video that was a part of a coordinated online hate campaign. Noelle Martin, a UK broadcaster and poet, was also a target of manufactured sexual images while advocating for the issue of image-based sexual abuse. Helen Mort, a British writer and broadcaster, was also the victim of a deepfake. The rise of deepfakes has drawn a very good deal of media recognition in recent months. One recent video showed the Belgian ideal Sophie Wilmes creating a speech in which she claimed that the COVID-19 pandemic was a results of environmental destruction. The video's creators had edited the video to show a different final result - that of a COVID-19 pandemic. Deepfakes are also beneficial in manipulating market prices. Some tweets containing incorrect information have had a major impact on the market. One false claim caused crude oil prices to rise temporarily. Another example involved Abercrombie and Fitch, whose brand fell in popularity because of its CEO's declaration. The use of deepfakes by artists has spurred a public dialog about public figures, private images, and social issues.
01.04.2023