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The first large-scale exhibition of shunga was held at a overseas museum in 1904, and the Eisei Bunko Museum is presently internet hosting one of the vital extensive shunga displays in the country. Shunga wood-block images are usually depicted with the figures fully clothed, but some shunga images show only partially-clothed topics. This is because the figures depicted in these prints were often dressed in Western apparel and hairstyles. This change in clothing and hairstyles meant that shunga images were now not in a position to compete with modern erotic images. The earliest known shunga pictures were produced in the course of the Edo period, when Japan was more non violent. The merchant class had a number of time and cash to interact in enjoyment actions. This led to the advent of many color prints depicting points of the Japanese lifestyle. One of those, Shunga (literally "spring pictures"), is a subgenre of ukiyo-e prints that depict lovers having sex in a distinctly Japanese aesthetic. Today, shunga remains to be a source of fascination and controversy. The Dream of the Fisherman's Wife, a traditional shunga woodblock print, is a renowned example of erotic art in Japan. It was first posted during the Edo period in 1814 and depicts a young woman having a sexual congress with two octopuses.
23.02.2023