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    • These businesses are also more and more stocking NEVA-approved videos, that are becoming more frequent among Japanese patrons. The early years of the Japanese AV market were marked by struggler actresses and ladies from soaplands. The first typical AV actress to emerge was Kate Asabuki, who seemed on titles for AVs and theatrical films. In 1982, the Crystal-Eizou studio was set up, and a director named Toru Muranishi was hired to broaden a quasi-documentary approach to filming AVs. The book also looks at problems with recruitment, as Wong and Yau examine data from five88 survey forms completed by AV girls in Japan. Students who are learning prevalent tradition and creative industries will find the book to be particularly useful.